About The Song


“L.A. Woman,” the title track from The Doors’ sixth and final studio album of the same name, holds a weighty significance in the band’s history. Released in April 1971, it marked the culmination of a tumultuous period for the band. The Doors had risen to superstardom with their blend of psychedelic rock, blues, and poetic lyricism, led by the enigmatic frontman Jim Morrison. However, Morrison’s increasingly erratic behavior, fueled by alcohol and drug use, strained the band’s dynamic.

The recording sessions for “L.A. Woman” took place in a rented house in Los Angeles, creating a loose and improvised atmosphere. This contrasted with the more polished studio efforts of their previous albums. The relaxed environment fostered a return to their blues roots, evident in the album’s raw and stripped-down sound. Tragically, just three months after the album’s release, Jim Morrison was found dead in Paris. “L.A. Woman” thus became the band’s final statement with their iconic frontman, forever etched in rock history.

Musical Style

A departure from the psychedelic flourishes of their earlier work, “L.A. Woman” embraces a blues-rock foundation. The song opens with a hypnotic piano riff by Ray Manzarek, reminiscent of a desert highway under a scorching sun. Robby Krieger’s understated yet searing guitar licks weave throughout the track, adding a layer of bluesy grit. John Densmore’s drumming provides a steady, driving pulse, propelling the song forward with a raw intensity.

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The song’s most iconic element is undoubtedly Morrison’s vocals. He delivers the lyrics with a captivating blend of swagger and vulnerability, his voice imbued with a sense of longing and resignation. The addition of session musician Jerry Scheff on bass adds a deep, soulful foundation that further emphasizes the blues influence.


The lyrics of “L.A. Woman” are open to interpretation, adding to the song’s mystique. On the surface, they depict a man’s encounter with a mysterious woman in Los Angeles. Lines like “Been down so long, it seems like up is down” hint at disillusionment and a yearning for escape. The repeated refrain of “L.A. Woman” evokes a sense of both fascination and danger.

However, Morrison’s lyrics often contained deeper layers of meaning. Some interpretations suggest that “L.A. Woman” is an allegory for Los Angeles itself, a city of dreams and excess that can also be a place of darkness and disillusionment. The song could also be seen as a reflection of Morrison’s own struggles with fame, addiction, and his search for meaning.

Cultural Impact

“L.A. Woman” has endured as a classic rock anthem, leaving a lasting impact on popular culture. The song’s raw energy and bluesy swagger have influenced countless rock bands across generations. Its inclusion in films like “Vanishing Point” (1971) and “Miami Vice” (1984) further solidified its place in the cultural zeitgeist.

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Beyond its musical influence, “L.A. Woman” stands as a testament to The Doors’ enduring legacy. It serves as a poignant reminder of Jim Morrison’s captivating talent and the band’s ability to create timeless music. The song’s themes of disillusionment, desire, and the search for meaning continue to resonate with listeners today.


“L.A. Woman” is more than just a song; it’s a culmination of The Doors’ creative journey. It captures the band’s raw energy, bluesy roots, and Jim Morrison’s captivating presence. The song’s open-ended lyrics and powerful musical style continue to intrigue and inspire. As the band’s final chapter with Morrison, “L.A. Woman” stands as a powerful and enduring testament to The Doors’ unique place in rock history.



🎵 Let’s sing along with the lyrics! 🎤

Well, I just got into town about an hour agoTook a look around, see which way the wind blowWhere the little girls in their Hollywood bungalowsAre you a lucky little lady in the city of lightOr just another lost angel, city of nightCity of night, city of night, city of night, woo, come on
L.A. woman, L.A. womanL.A. woman Sunday afternoonL.A. woman Sunday afternoonL.A. woman Sunday afternoonDrive through your suburbsInto your blues, into your blues, yeahInto your blue-blue bluesInto your blues, oh, yeah
I see your hair is burnin’Hills are filled with fireIf they say I never loved youYou know they are a liarDrivin’ down your freewaysMidnight alleys roamCops in cars, the topless barsNever saw a womanSo alone, so aloneSo alone, so alone
Motel money murder madnessLet’s change the mood from glad to sadness
Mister mojo risin’, mister mojo risin’Mister mojo risin’, mister mojo risin’Got to keep on risin’Mister mojo risin’, mister mojo risin’Mojo risin’, gotta mojo risin’Mister mojo risin’, gotta keep on risin’Risin’, risin’Gone risin’, risin’I’m gone risin’, risin’I gotta risin’, risin’Well, risin’, risin’I gotta, wooo, yeah, risin’Woah, ohh yeah
Well, I just got into town about an hour agoTook a look around, see which way the wind blowWhere the little girls in their Hollywood bungalowsAre you a lucky little lady in the city of lightOr just another lost angel, city of nightCity of night, city of night, city of night, whoa, come on
L.A. woman, L.A. womanL.A. woman, you’re my womanLittle L.A. woman, little L.A. womanL.A. L.A. woman womanL.A. woman, come on

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